The earth is many thousands of miles deep and the realm that we occupy is simply a thin sliver on the surface that we dwell within most perilously.
Between the harsh vacuum of space and the violent plasmas of the fiery deeps we dwell between, we exist in a wispy realm of uncertain future.
We, the human, and all life are defined by two plastic constants; out into the stars and down into the genes.
There are some 31,000 human genes. We share some of our genes from beasts as humble as the yeast to the common garden slug.
There are over 3.5 billion years of evolution in our genes, yet we cannot understand the cipher.
Our genes are not a blueprint but rather a living library.
Our past, present and future is likely held within each and every cell that calls us to life.
Our planet is the only thing we have in the entire universe to harbour us, to sustain us to offer us the possibility of a continuance.
Between the earth and the vacuum is a whisper of concious life, us.
The Haida
The Raven.
The Eagle.
History is your identity to the land
Being Haida is more than each individual, it is the land, the fish, the realtionship to the land around them.
The culture reflects the land around them.
Every inspiration is in the sights, the smells, the sound, the song of the land, the rain, the dripping leaves amidst the bustling night, the howl of the northern winds.
They dance the land knowing the truth of the song.
British Columbia.
Waves of life pouring up the river as the salmon sing the forests to life.
The more fish, the more gulls, wolves, bears.
The bears bring the salmon into the forest deeps, the nitrogen in the fish from the Pacific feeds the forest, fertilising the deepening woods so that it in turn can flower, bloom, grow.
Each fallen tree captures the history of the past in ringed time capsules.
The creaking tongue of the chattering woods talk not only through their leaf and root but also through their skins, telling us the histories of times past and of possible futures.
The forest is a library that we can dip into and dwell upon in brooding wonder.
The Anasasi people.
Birds turning and wheeling into living, flying  systems the whole being so much more complex than the simplicity of their parts.
Ants.
How do ants know what to do?
When a colony of ants reach a certain size, patterns emerge, organisation appears.
Just like cities.
The heart beat is not rhythmical even at rest.
Homeostasis is translating the heart into musical notes a healthy heart sounds like a symphony, whereas a sick heart sounds more like a monotonic repetition.
Is this why we like a song in our heart?
Is this why we respond to the deeply felt stir of rhythm and melody?
We are part of a living system
Life regulates the earth and the earth regulates life.
The blueprint for life lies not only in our genes but in the landscapes that they descibe and that draw us in turn.
'Theres no reason why venus or mars could not be identical other than life itself'
(Lovelock)
Yet they are barren and lifeless, sterile and cold or molten furncaces where life could grab no hold.
Gaia -Â Greek Goddess from chaos,
The Carbon Cycle.
None of us on earth will ever truly die because we will simply be recycled
We came out of the natural world and to it we return.
This seems to be the basis of both the Jewish religeous myth and the Aboriginal ancestor belief and whole hosts inbetween.
We appear as miraculous structures out of nothing but dust, just as virtual particles appear in vacuum out of nowhere and then disapear quicker than the brevity of a mayfly or a human life.
From nothing to nothing, in physics and in religeon, the ideas are consistent and cogent with everything we observe about nature.
Each human is a history, a wealth of stories streching back to the first instance of life, each is ancient, infinitely so, and connected to each other instance through a web of intricate gossamer threads spanning both backwards and forwards in the infinities of time and space.
Shamanistic beliefs of air, earth, fire and water held to gether by love, or human spirit seem to make more sense when one considers life and the cradle of earth as one holistic whole.
How we imagine the world detemines how we live in it.
Ancients created myths, we create models, but both are the same mere attempts at trying to paint the landscapes that we find ourselves blinking in wonder at.
The painted sand mandallas of the Bhuddists.
The destruction of the mandalla so painstakingly drawn, like an ice sculpture in the outback, or a sand-castle by the sea.
From comes out of nothing and then returns there.
Or as the masai moving like milk between the folds of the rippling scapes, sinuous and sensual, lithe as bending willows swaying as their swoonsongs murder the staid savannah.
So as the ancestors sang the earth to being, the world over, the human has sung the world to life in a thin skin of translucent sky.
Between vacuum and Vulcan, we alone are witness.
We alone are testament to this gloriously violent grandeur.
We alone are raping it.
Forgive me, for I am a lonely voice of little regard.
These thoughts fountain and I know not where they spill.
yechydda,
Â